The moment in Stanley Kubrick’s “The Shining” when Jack Nicholson, as John Torrance, breaks down the bathroom door with an ax, sticking his head through the broken wood to state, “Here’s Johnny!” is an iconic close-up moment and one that both electrified and terrified audiences."One day I was outside playing with my twin brother in our swimming pool. These shots help the audience see his detached emotional management and help viewers understand him as a character. Marlon Brando’s Vito Corleone establishes his firm and frosty demeanor in several close-up shots within the first few minutes of the film. The unforgettable scene in which Heather Donahue holds her handheld camera to her own face for an extreme close-up, showing intense emotions about their documentary project, is probably one of the most famous extreme close-ups of all time.
If you’re looking for fantastic examples of close-ups to see how they help shape the story and emotional development of the characters, check out these iconic close-up film moments. Great Examples of Close-UpsĬlose-up shots often stick in the audience’s mind as they’re usually pivotal moments of the film. You might film close-ups and establishing or master shots at different times in the shooting day, so taking care to maintain continuity is vital for an effective close-up shot.
Make sure you maintain the same elements like light, temperature, and weather in any close-up shots. Long lenses make the depth of field more shallow, causing the background to blur and bringing increased focus to the foreground, which includes your actor’s face. Many filmmakers choose to use long lenses, usually 70 mm to 100 mm, for close-up shots.
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Knowing your full shot plan in advance will help you make the most out of your selected close-up moments. While there’s no specific number of close-ups you should stick to, a good rule of thumb is to employ facial close-ups for the highest tension moments. Plan to use close-ups sparingly so that they maintain their impact. Set your close-up limitĬonsider your film as a whole. For example, after an extreme close-up of a character reacting to a sound, cut to a wide shot showing what caused the sound. However, for maximum impact, it’s best to surround the close-up with other types of shots for contrast and impact. Some close-ups can be effective for an extended period of time while others are best used for just a few seconds. Determine the next shotĭecide exactly what you want to capture with your close-up, when you’ll cut away, and what shot you’ll cut away to. Consider other establishing shots, dialogue, and reactions that will precede the dramatic close-up. Remember, the close-up shot is the emotional payoff you’ll build toward. Make a plan for how you’ll get to the close-up moment. When you’re ready to add a close-up shot to your film, keep these considerations and steps in mind to plan, film, and edit the most effective close-up shot. ChokerĪ choker shot is a very tight close-up shot that frames the actor’s face from above their eyebrows to below their mouth. For example, an insert shot might show a character leaving their wallet behind on a restaurant table.
An insert shot is a close-up shot of a prop or scene detail to demonstrate its importance.